91) What more it is distinguished in the present workmanship is the capacity of the author in portraying this relation with respect to the construction of an identity feminine calm and balanced, without vulgarizantes repressions. For this if valley of habitual, and the healthful ones, discords existing between mothers and children. The quarrels between Maria of Lourdes and ngela Cristina, to the serious times, other funny times; to the important times, other irrelevant times, all, however, watered the love, making possible to them growth and friendship. It does not go to be to accustom difficult me with the idea of that it hates ballet. Dream many other things for my son. – Lesson boat, teacher boat, all the girls boats.
Ballet is flat summarized its feelings on dance in the tip of the feet. It is well, not dream more. From now I go to twist. To twist so that it is an excellent violoncelista doctor, I find violoncelo pretty (REBOUAS, 2004, P. 26) and still: Therefore I registered it in the lesson of jud that it happened in there to the side and fisgou its attention of impressive form (REBOUAS, 2004, P.
26) the author presents the place of the feminine one leading in consideration respect for different, the diverse multiple o, understanding that the women do not need to make said of women to only be accepted and respected things. Evaluating the influence of the society exerted on auto-they esteem of the women, it evidences as the literary image of this workmanship brings the dynamics of a respect relation and understanding on the place of the feminine one that it is respected. This was a conquest of the movement feminist who through some manifestations fought for a space of respect and equality of conditions: My beloved first-born decided to enter for a theater course. I found the idea excellent, untied theater the head, makes to think, to read, to create, to fantasiar, to imagine e, as Albert Einstein said, ' ' imagination is more important that conhecimento.' ' I gave the biggest force.